Best Accessories for the Fujifilm X100VI in 2026

If you have been following my recent posts, you will know that I put out a very deep dive into my thoughts on the latest addition to my camera lineup. You can read my full, real-world thoughts here: Fujifilm X100VI Review & Sample Photos.

Since picking up this beautiful little camera, I have progressively developed a love for the aesthetic of a retro rangefinder style camera (which is exactly why I opted for the silver model). But, just like with my Sony A7CII, I couldn't just leave it barebones. I needed to trick it out with the absolute best gear on the market. Let's face it, lugging around a full backpack everyday is not a vibe, so building the perfect compact setup was my main priority.

So, after months of testing, tweaking, and taking this camera around the world with me, I have compiled my definitive list of the best accessories for the Fujifilm X100VI in 2026.

Oberwerth Sling Bag Small

Like a lot of photographers out there, I love new bags. I don't know why, I just do. I have had bags from all the major players in the photography bag space, such as Peak Design, Nomatic x Peter McKinnon, and Wandrd. With my recent move towards a more compact setup for everyday use, I initially relied heavily on my Wandrd Rogue 3L Sling. But, while that bag is incredible for my Sony gear, I found myself wanting something even more minimal, discreet, and stylistically aligned with the vintage charm of the Fuji X100VI. Enter the Oberwerth Sling Bag Small.

From the moment I unboxed this bag, I could tell that this was a high-quality bag. Oberwerth is known for their incredible German craftsmanship, and the full-grain leather they use is just absolutely stunning. I opted for a classic leather look because I felt it was time to change it up a bit from the usual synthetic materials that all my camera bags have been made of. The leather feels soft yet incredibly durable, and what I love most is that it develops a unique patina over time. It basically tells the story of your photography journey through its wear and tear, which perfectly matches the analog soul of the X100VI.

When it comes to size, this sling is practically purpose-built for fixed-lens compact cameras. When I tested my Wandrd 3L with my Sony setup, I had to pack it full of socks for days just to stretch the zippers out. Thankfully, there was absolutely no need for that here! The Fujifilm X100VI slides into the Oberwerth sling effortlessly, fitting like a glove. The interior features a remarkably soft lining that protects the camera's body and rear LCD screen from any accidental scratches. Even with the camera inside, there is still just enough room to tuck away a spare battery and a lens cloth.

I took this bag on a recent weekend trip to Sydney, where I spent days walking the streets, jumping in and out of taxis, and exploring hidden cafes. The bag worked incredibly well. It never felt like it got in the way, and it was so quick to unzip and pull my camera out when I needed to take a shot. Furthermore, because it looks like a premium designer sling rather than a traditional camera bag, it allowed me to fly completely under the radar. Some days we were away from our accommodation all day, and during that time there were a couple of places that didn't allow cameras to be out. Had I have only had my camera on a neck strap, I'm unsure if they would have let me in. But tucked away in the Oberwerth, nobody batted an eyelid.

The strap is highly adjustable and comfortable enough to wear all day without digging into your shoulder. It really forces you to think critically about what you will and will not need for the day. If you want a luxurious, durable, and perfectly sized everyday carry for your Fuji, I cannot recommend this highly enough. Oberwerth have been so kind to me that they have offered me a discount code to give to all of you: DARMA10

Godox iT32 TTL Mini Flash & X5 Trigger System

If you have read my review on the Nanuk 935 hard case, you will know that I normally carry around a Godox V1s and a Godox trigger for my professional lighting setups. While that flash is incredibly powerful, it is also massive. Putting a full-sized V1 on top of the tiny Fujifilm X100VI makes the camera so top-heavy that it is virtually unusable for casual street or party photography. I needed a flash that was compact but still packed a punch. That is where the Godox iT32 absolutely shines.

The standout feature of this little flash, and the main reason I am obsessed with it, is that it is so useful to be able to switch between using it on my Fujifilm and my Sony effortlessly. Up until now, flashes have been brand-specific because of the hotshoe pin layouts. But Godox has introduced an ingenious magnetic modular system with their X5 trigger. The flash body remains the same, but the magnetic hotshoe (the X5 module) can be swapped out. I simply attach the Sony X5 version when I am shooting with my A7CII, and snap on the Fuji version when I want to use my X100VI. It saves me so much money and space in my bag, eliminating the need to buy two separate flashes for my two camera ecosystems!

The unboxing experience is pretty standard for a flash, but the first thing I noticed and quite liked was how light it was...suuuuper light! When attached to the camera, the size felt so appropriately balanced to the body. It features a built-in 2.4GHz wireless system, which means the X5 module acts as both a hotshoe mount and a wireless transmitter. If I want directional lighting, I can pull the flash off the camera, hold it in my left hand, and the X5 module left on the camera will trigger it wirelessly with zero lag. It is brilliant for getting those moody, off-axis flash portraits in dark alleyways or dimly lit bars.

Performance-wise, it supports High-Speed Sync (HSS) and full TTL metering. This means I can shoot wide open at f/2 in the middle of the day, using the flash to fill in harsh shadows, and the camera calculates the exposure perfectly. It recycles incredibly fast for its size, so you won't miss those candid moments waiting for the flash to prime. Navigating the settings is WAY easier to navigate than older flash models thanks to its intuitive little touchscreen.

I brought this out to a friend's birthday dinner recently, and it was a massive hit. It provided beautiful, clean light without blinding everyone in the restaurant. Plus, its minimal footprint means it easily slots into one of the tiny pockets in my Wandrd PRVKE Lite roll-top section when I am packing for a bigger shoot. It is an absolute game-changer for hybrid shooters.

Formatt Hitech Firecrest Bloom Gold Filter (1/8 Strength)

Prior to receiving my Wandrd Filter Case, I wasn't very happy with how I was handling the organisation of my filters. I used to just leave them loose in a makeshift pocket, which honestly was a mess and wasn't really conducive to a nice user experience. Now that I have a dedicated, safe spot to store them, I have been experimenting heavily with diffusion filters to take the digital "edge" off modern mirrorless sensors. For the X100VI, the absolute winner for me has been the Formatt Hitech Firecrest Bloom Gold Filter (1/8 strength).

The Fujifilm X100VI has an incredibly sharp 40.2-megapixel sensor. While the bump up in megapixels has been a welcomed addition to allow for better abilities to crop and recompose any shots, it can sometimes make images look almost too clinical. By throwing this 1/8 strength filter on the front, it completely transforms the rendering of the lens. The Bloom Gold filter is designed to add a very soft halation around bright light sources, while simultaneously smoothing out skin tones on your subjects.

What makes the "Gold" version of this filter so special compared to standard black mist filters is the subtle, warm, nostalgic flare it introduces. The gold glitter embedded in the glass catches the light in a way that perfectly complements Fujifilm's legendary film simulations. If you pair this filter with Classic Chrome or Reala Ace, the results straight out of camera are magical. It gives your images an authentic analog film aesthetic without having to spend hours grading them in Lightroom. I opted for the 1/8 strength because it is subtle enough to leave on the lens permanently. It doesn't wash out the contrast completely; it just adds a gentle glow that makes the photos feel more emotive and dream-like.

I used this extensively during golden hour down at the beach while I was on a holiday in Bali. The way the filter reacted to the setting sun reflecting off the water was breathtaking. It managed to bloom the highlights beautifully while still maintaining a clear, sharp image in the shadows. And when the sun finally dipped below the horizon, I just popped it back into my Wandrd Filter Case, which has a nice EVA foam core exterior and soft-touch lining, giving me peace of mind knowing it is protected at all times.

If you are a JPEG shooter who loves the Fuji colors and wants to elevate that vintage, cinematic look even further, this filter is worth every single penny. It simply lives on my camera now.

Haoge LH-X54B Lens Hood / Cap

Let’s talk about aesthetics and protection. The X100VI has a fixed 23mm lens, and out of the box, it comes with a standard slip-on cap. But if you want to mount filters (like the Firecrest Bloom Gold I just mentioned) or protect the front element from bumps and scrapes, you need an adapter ring and a hood. I spent hours browsing Amazon and finally settled on the Haoge LH-X54B Square Metal Lens Hood.

I'll be honest here: I bought this predominantly for aesthetics, as well as lens protection from bumps. There is just something incredibly cool about a square metal lens hood. It gives the camera a highly aggressive, classic rangefinder look, reminiscent of vintage Leica setups. Since I had already progressively developed a love for the aesthetic of a retro rangefinder style camera, this hood was an absolute no-brainer.

The build quality is fantastic. It is made from a durable anodised aluminium construction, with a non-glare matte finish on the inside that does a stellar job of preventing unwanted reflections and lens flares when shooting in harsh sunlight. But the real genius of the Haoge LH-X54B design is how it handles filters. The hood comes with a built-in 49mm adapter ring. You simply unscrew the default cosmetic ring on the Fuji lens, screw this adapter in, screw your 49mm filter into the adapter, and then the square hood slides perfectly over the top of the whole assembly. This means the filter sits deeply recessed and protected within the hood itself.

This level of protection gives me incredible peace of mind. During my recent 10 day trip to Bali, I was constantly jumping in and out of Taxi's and moving through crowded, bustling streets. There were numerous times when my camera swung forward on its strap and bumped into a doorway or a table. Every single time, the Haoge hood took the brunt of the impact, leaving the precious lens element completely untouched.

Despite being a square hood, it has been cleverly designed with a cutout corner so that it barely blocks the optical viewfinder (OVF). You can still see exactly what you are framing without a massive black chunk missing from the corner of your eye. Furthermore, it comes with a slide-on metal cap that fits snugly over the hood when you want to throw it into a bag. It looks beautiful, works flawlessly, and saves your lens from disaster. What more could you want?

Genuine Leather Cowhide Camera Case Half Base (AliExpress)

One of the few criticisms people have about the X100 series is the grip—or rather, the lack thereof. A lot of people have mentioned how the grip is too small, but what do you really expect given it is a compact camera? While the grip is fine for me most of the time, having that extra bit of purchase for my fingers makes a world of difference when shooting one-handed on the streets. After scouring the internet, I stumbled across this Genuine Leather Cowhide Camera Case Half Base from AliExpress.

I know what you are thinking—AliExpress for camera gear? But trust me on this one. I didn't want to spend hundreds of dollars on a big-name branded case, and this hand-worked cowhide leather half case genuinely blew my expectations out of the water. Just like my SmallRig baseplate that I use on my Sony to compliment the body really nicely, this leather half case adds just the right amount of thickness to the bottom and right side of the Fuji.

The primary reason I grabbed this was to protect the bottom plate of the camera. I have a habit of resting my camera down on rough surfaces—concrete walls, rocks, cafe tables—to get a stable shot or just to give my hands a break. Over time, that completely shreds the finish on the bottom of the camera. This leather base acts as a beautiful, stylish buffer. The cowhide feels premium to the touch, and the fit is remarkably precise for a third-party accessory. It secures tightly into the tripod thread on the bottom of the camera, yet it still features a well-machined cutout door so you can access your battery and SD card slot without having to take the whole case off.

Visually, it is stunning. The rich leather texture paired against the cold silver metal of the X100VI creates a classic, timeless look that matches perfectly with the Oberwerth Sling Bag I mentioned earlier. As I've used it over the last few months, the leather has begun to soften and mold perfectly to the shape of my hand, making the camera incredibly comfortable to hold for long periods.

It adds minimal weight to the overall setup, meaning I'm still a lot more willing to bring along my camera on day trips just for happy snaps without feeling like I'm lugging around a bunch of gear. For the price point, this is an absolute steal and a must-have for anyone wanting better ergonomics and scratch protection.

SanDisk High Capacity SD Cards (128GB / 256GB Extreme Pro)

Finally, we have to talk about the unsung hero of any photography setup: memory cards. You can have the best camera, the best bag, and the best lighting, but if your memory card fails, it’s all gone. When I was upgrading my gear, I saw a few articles online about how there is a small chance that static electricity from cheap foam cases can actually corrupt SD cards. That thought scares me. So, I upgraded to the Wandrd Memory Card case to store my cards, and simultaneously upgraded the cards themselves to the SanDisk Extreme PRO High Capacity SDXC cards.

The Fujifilm X100VI features a massive 40-megapixel sensor and has the ability to shoot 6.2K video. Because of the type of editing and content I make, the bump up in megapixels has been a welcomed addition, but it means file sizes are gigantic. A 64GB card fills up so quickly that you’ll find yourself constantly stressing about storage limits. Upgrading to a high capacity card—specifically the 128GB or 256GB variants—gives you the ultimate peace of mind. A 128GB card holds roughly 1,600 uncompressed RAW files, meaning you can shoot heavily for days without ever needing to format.

While the X100VI only supports UHS-I speeds internally, I highly recommend buying the UHS-II versions of the SanDisk Extreme PRO anyway. Why? Because the time you save transferring files to your computer is monumental. The X100VI might only write at UHS-I speeds, but when I get back from a shoot, take the card out, and plug it into my 13-inch Macbook Pro, the UHS-II read speeds of up to 300MB/s mean my entire day of shooting transfers in a matter of minutes.

SanDisk has been my go-to brand for years. I trust them implicitly. These Extreme Pro cards are temperature-proof, waterproof, shockproof, and x-ray-proof. When I am moving between extreme humidity outside and then indoors to an air-conditioned room, I don't have to worry about the card failing inside the camera.

Overall, having massive, reliable storage means I can just focus on being creative. If you want to shoot candid candid shots in JPEG, quickly flick over to video mode, and save creative photo settings without worrying about space, investing in high-capacity SanDisk cards is arguably the most important accessory purchase you can make.

Closing thoughts

Outfitting the Fuji X100VI has been an incredibly fun process, and it has easily become one of the main cameras I keep on me while out exploring new cities. By pairing it with a high-end sling, versatile lighting, creative filters, protective styling, and reliable storage, you elevate a great camera into a perfect daily companion.